“Working with Impro Theatre has really opened me up creatively. In my time there I learned how to trust myself, and others, onstage…and how to make those moments as real and interesting as possible.”

“Quite by luck I stumbled upon Impro Theatre and have come to value improv not only as a way to learn some acting skills, but I also find a lot of what I learn helpful for other aspects of my daily life.”

“I love the classes. I think I’m addicted.”

“To find classes with teachers and students as equally concerned about the actual process as the final product was amazing. “

“Impro Theatre might be the most positive theater learning experience in Los Angeles.”

“The teachers are energetic, enthusiastic and excited to share their knowledge.”

“When I first talked to Jo on the phone about classes, she made me feel so comfortable and welcome. My first classes at Impro were very friendly and professional, and I felt happy with my choice to take classes here.”

“The diversity in the classes is a plus. To find classes with younger and older, gay and straight, black and white, professional and nonprofessional actors, etc., is rare and a great way to learn.”

“The classes are small and personal. Impro fosters a sense of creative freedom that allows for development at all levels.”

“The closest thing I can compare it to is meditation. Spending time in the moment has helped me to get in touch with something I feel like I’ve been hiding from. I’m really looking forward to taking it as far as it can go.”

“Impro is an amazing place. I never knew how powerful a ‘discipline’ improv could be, and how much the work from our classes and performances would not only spill over into our personal lives, but be exceptionally applicable to navigating the corporate world.”

“Being in a supportive environment that is nonetheless extremely challenging, where growth is focused on at an individual level, is what I call home, as an improviser.”

“The Impro training program gets you to improvise from the inside-out. Performers are up and active, conquering their ‘improv fear’ and discovering their physicality, emotional presence, and kinesthetic awareness.”

“Impro provides a supportive environment that encourages risk-taking and all the success (and mistakes!) this entails.”

“Nothing is imposed; everything is discovered. When an ensemble harmonizes this way, co-creating the narrative, it’s an amazing experience for performers and audience alike.”

“What you do is unique — a real art form unto itself — and it would be a tragedy for L.A. to lose this. There are a lot of hungry people in LA that would love to take what you’re offering — if they just knew you were out there. You should be in a bigger space, making more noise.

“In a city where failure equates to dismissal, Impro is a rare oasis in a desert of intense frustration and competition.”

© 2007 Impro Theatre. All rights reserved.



Impro Theatre

1727 North Vermont #211

Los Feliz, CA 90027

323.401.6162

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A non-profit 501 ( c ) 3 Theatre Company.

Donate to Impro Theatre



Site design and build by rob gale

Check out our
Improv Classes

Upcoming Classes

“Physical Improv”

with Stephen Kearin
Saturday, Nov. 15, 10-1PM, $45

Space object work need not be a means to an end, but can lead you to a deeper understanding of character and the narrative. Learn what it means to bring silence and stillness to your work as an improviser.
In this workshop, students will learn to re-focus on the physical as a means of slowing down to “see” more clearly onstage.

Learn about our
Outreach Programs

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Bringing Improvisational Theatre to L.A. since 1988

“The wit and energy are amazing.”
— LA Weekly

Sondheim Unscripted “An outstanding cast clearly understand the form they are spoofing and have the vocal power to sustain it. GO!”
— LA Weekly

Shakespeare Unscripted “A superlative example of what theatrical improv should be…A great command of the style of Elizabethan English and Shakespeare’s writing.”
— Improv Review.com

“ A level of virtuosity and polish that is rarely seen on the improv stage.”
Anthony Brandon Wong

See more reviews

Our Acting Company has been seen at these venues:

For Bookings, Contact:
Artistic Director Dan O’Connor
(323) 401-9793


Instructor: Jo McGinley
When: Thursdays, Ongoing, 7PM-10PM

The class consists of researching playwrights and film styles, and then bringing them to life on the stage. The focus is good scene work, good acting, strong ensemble, being the writers/actors/directors all in the moment collaborating to tell a story.

There is homework! You will be asked to rent movies, read plays, study certain time periods, and bring the information that’s marinating in your brain onto the stage.

Student Quotes:

“The class really hones your storytelling skills, to the point that story structure becomes second nature.”

“Above all else, the class is about two things: storytelling and ensemble. We develop a tremendous trust and bond, so we know that when we blindly step out on a Tennessee Williams porch or a “buddy action” crime scene, somebody’s gonna back us up. It really frees you.”

“In Impro Theatre’s class we work on character rather than wit, story rather than sketches, richly textured genres rather than jokey cartoon versions. It’s the perfect blend of theater and improvisation.”

“…a class where good acting and improv truly are encouraged to meld.”

“It’s a blast! Three-act storytelling while improvising is a huge challenge, but it gets easier in this class – and nothing’s more fun or satisfying on stage!”

Prerequisite: Foundation Series and instructor approval.

Now Playing:

Jane Austen UnScripted

Extended to December 21! (no shows Thanksgiving Weekend)

Asylum Theatre & Ticket Information
Watch Video Preview

“ImproTheatre’s gift lies in far more than improv’s expected one-liners and zingers–rather, their gift is the more subtle and complex art of storytelling…Austen would be pleased, indeed.” – Laist.com

Our spaces are a great professional and creative environment for auditioning, casting, screenplay/play readings, or any form of intimate seminar.

Located in the heart of Hollywood (Hollywood Blvd & Vermont Avenue), we have two second- story studio spaces available for rent. Each studio has great natural light. The studios are equipped with lighting, AC/Heating, furniture, and other amenities. Our main studio is approximately 1000 square feet. Our second space is approximately 600 square feet and has a separate office area. There is ample street parking both metered and not. Below are rental rates for both studios.

The Large Suite

large suite image
Weekday rate per hour $25.00 (Minimum 3-hour rental M - Th)
Daily rate $200.00 (8 hours/Monday-Thursday)
Weekend rate per hour $35.00 (minimum 4-hour rental )
Weekend All Day Rate $250.00 (8 hours/Friday, Saturday, Sunday)
Weekend Evening Rate 6:30-10:30PM $175 Flat Fee
25 Seat Theatre
Stage Area 13 feet deep, 32 feet wide

The Small Suite

small suite image
Weekday rate per hour $20.00 (Minimum 3-hour rental M-Th)
Daily rate $160.00 (8 hours/Monday-Thursday)
Weekend rate per hour $ 25.00 (minimum 4-hour rental)
Daily Weekend Rate $200.00 (8 hours/Friday Saturday, Sunday)
Seats 12-16 comfortably
Stage Area 13 feet deep, 24 feet wide

Contact 323.401.6162 for reservations and questions.

a creative writing workshop for kids and teens.
With Denise Downer
Saturdays, 10-12pm, Starting July 12, $80/4 weeks

WORKSHOP SYNOPSIS:
Students in this workshop will be introduced to the craft of creative writing. Each aspiring writer will learn and practice the basic tools of improvised, written storytelling… making this class four week’s of non-stop fun.

TASKS TO BE COVERED:
Students will participate in the following activities:
• Stretches to ready the body and mind for writing.
• Improvisational games to foster fun, spontaneity and creativity.
• Visualization and Improv writing exercises as a way to create characters.
• Two ten-minute writing exercises focusing on the topic of the day.
• Giving and receiving feedback on the written exercises.

MATERIALS STUDENTS WILL BRING:
• Your favorite notebook, and pencil or pen.

MATERIALS I WILL PROVIDE AT WORKSHOP:
• Handouts highlighting each week’s topic, and homework assignment.
• Props for improvisational games and free writing exercises.

Denise Downer Bio: After arriving in Los Angeles, Denise worked as a writer’s assistant, first in children’s animation, and then in television sitcom. Working with writers in the writer’s room taught her a great deal about the script writing process. As a result, she has written for The Bernie Mac Show, as well as the Nickelodeon shows, Aaahhh!! Real Monsters and All Grown Up. Denise has also written for the animated show Slam City produced for the Fox Family Channel. In addition, she has just finished writing a spec television pilot for teens.
Denise is a member of the Animation Writer’s Caucus and the Alliance of Los Angeles Playwrights. She is also a volunteer for the non-profit children’s writing program, Story Detectives.

Space is reserved when payment is received. You can mail a check to Impro Theatre or call 323.401.6162 with MC/Visa & pay over the phone.

What benefits do offices get from Improv?

  • Improv encourages risk taking
  • Expands creativity
  • Develops adaptability
  • Improves Morale and Outlook
  • Enhances Problem-Solving skills

Improvisation is built on the fundamentals of team work, communication, risk taking and spontaneous creativity. All skills that are needed in today’s fast-paced global market, where businesses need to do more, do it better, and do it faster than ever before. Impro Theatre will get the best out of your company through facilitated workshops and teach improvisational skills which develop support and trust; hence, creating an environment that harnesses creativity to its fullest.

Impro Theatre provides skill building workshops in creativity, teamwork, communication and problem solving. Your team members will learn to work together by embracing risk taking and building on others’ ideas. Your staff will learn to let go of self-censoring habits which inhibits free thinking. They will learn to listen without judgment and to evaluate new ideas from a positive perspective by discovering the fulfillment of a productive and creative work environment.

What classes does Impro Theatre offer at a corporate level?

  • Improv for the Office: This class focuses on the importance of teamwork, communication and brainstorming.
  • Meeting of the Minds: Keep your meetings fresh and positive with enthusiastic idea building. A positive environment breeds successful ideas.
  • Brainstorm: Need help flushing out a new idea? Impro Theatre has exercises that helps the stagnated mind find original material.
  • Stress Break!: Sometimes all it takes to boost office morale is to have fun together. A playful work environment makes everyone’s job easier. Impro Theatre has a bevy of off the wall games that everyone can play and enjoy.
  • My Name Is…: With the changing job market, offices often find themselves with new workers and no time to introduce everyone. Impro Theatre can host a class where the function is getting to know each other and their work functions.
  • Does Impro Theatre provide entertainment for corporate events?
    Yes. Impro Theatre has a cadre of shows to choose from:

  • The Office: Every office has drama, so why not see it on stage? Our actors will act out a day in the life of your office.
  • MC for events: Impro Theatre will provide MC’s for charity events, parties, anniversaries, presentations, etc.
  • Plays & Films: Impro Theatre prides themselves on being the best long-form improvisers in Los Angeles. See an improvised Shakespeare, Chekhov, Dickens or Tennessee Williams, to name a few.

What if my company has a specific need?
Let us know! We’re happy to create new classes/shows that fit your company’s requirements.

Phone us to discuss your next event. Choose from the shows/classes outlined above.
(323) 401-6162

Currently Brian is the director of classical studies for Impro Theatre’s “Unscripted Rep.” Originally from San Francisco, Brian co-founded “Bay Area Theatresports” and was founder and artistic director of the award-winning “Pulp Playhouse.” He performed the improvised show “Lifegame,” off-Broadway and hosted the TV version for TNN. In Las Vegas, Brian was composer and improviser for the improv/sketch show “BOO!” which ran for one year at New York New York Hotel and Casino, and where jumping out of a coffin never got old. Ever. His one-man show about a depressed lounge singer, “Johnny Lonely’s Unhappy Hour,” was nominated for a Fringe first at the Adelaide Fringe Festival and was a critic’s choice in Seattle, Melbourne and Edinburgh. TV and Film appearances include “American Body Shop,” “World Cup Comedy,” “Ask Rita” and the upcoming film “He Was a Quiet Man” with William H. Macy. In 2006, Brian was part of “Unexpected Shakespeare” and improvised 20 full-length Shakespeare plays on the main stage of the Colorado Shakespeare Festival. Other regional theater credits include The Old Globe Theatre and A.C.T., where he also was core faculty in the MFA in acting programs. Other directing credits include “An Unscripted Carol” (improvised Dickens) and “A Midsummer Night’s Dream” for Ukiah Players Theatre.

Michele Spears was born and raised in Louisville, Kentucky. She studied acting at NYU’s Tisch School of the Arts and now lives in Los Angeles. As an improviser she’s worked with Impro Theatre , Inflatable Betty, Disney’s Laughing Stock Co., Disney’s Troupe Du Jour, Acme Unplugged, and Pulp Playhouse. She’s performed at improv festivals across the country as well as the International “Improvistal” in Paris. Recent acting credits include “Malcolm In The Middle,”"World Cup Comedy,” “Mystery Woman: In the Shadows,” and the award winning indie film, “Self Storage.” On stage she has performed in National and European touring companies, Off-Broadway and in regional theater across the country. She is also an award winning director/choreographer and just returned from Scotland where she directed an all improvised Sondheim musical at the Edinburgh Fringe Festival.

An improviser for over 20 years, Floyd was co-founder and first Artistic director of Seattle Theatresports/ Unexpected Productions. He moved to Los Angeles in 1994 and joined LA Theatresports/ Impro Theatre and was that company’s artistic director from 2002 to 2004. A professional actor for over 20 years, he’s appeared in numerous television programs, including: “The Practice,” “ER,” “Becker,” “The Guardian,” “Gilmore Girls,” “Reno 911,” and “World Cup Comedy.” He can be seen most recently in “Navy NCIS,” “Jake in Progress,” “Las Vegas,” and the new WB pilot “Mindy and Brenda.” He also works extensively in the world of commercials and voice-over. Floyd has appeared in numerous independent feature films, shorts, and in Christopher Guests’ “A Mighty Wind.”

Edi Patterson is a Main Company member of the famed GROUNDLINGS Comedy Troupe in Los Angeles, and can be seen around LA and all over the world improvising plays in the styles of various playwrights with the critically acclaimed IMPRO THEATRE (most recently doing improvised Shakespeare at the Oregon Shakespeare Festival). She can be seen in the upcoming Dreamworks movie A THOUSAND WORDS starring Eddie Murphy and Allison Janney, and as Fran in the feature mockumentary film WIFFLER-THE TED WHITFIELD STORY. Recent television credits include UNHITCHED on Fox, and two different roles on the upcoming Cartoon Network Adult Swim live-action series A YOUNG PERSON’S GUIDE TO HISTORY. She was a recurring correspondent for THE SHOWBIZ SHOW WITH DAVID SPADE on Comedy Central and was a series regular on Damon Wayans’ sketch comedy series THE UNDERGROUND on Showtime. Other credits include CASE CLOSED (Comedy Central pilot), WITH A BULLET (VH1 pilot), C.S.I, JIMMY KIMMEL LIVE, WORLD CUP COMEDY, ASK RITA, and the controversial web series/soon to be feature film JESUS PEOPLE. Edi also played Arwen and Legolas, and co-wrote songs for the hit musical FELLOWSHIP!- THE MUSICAL PARODY OF THE FELLOWSHIP OF THE RING, which won LA Weekly Awards for “Best Comedic Ensemble” and “Musical of the Year”.

Lisa Fredrickson has been an ensemble member of many Improv companies including Seattle Theatresports, SAK Comedy Lab Orlando, Disney’s Comedy Warehouse, Impro Theatre, and Inflatable Betty. She is the resident improv teacher at California Lutheran University. She was an original cast member of “Fellowship: The musical” in Los Angeles, performed at the Colorado Shakespeare Festival, and performed steadily in “Boo” the improv show at New York, New York Hotel and Casino in Las Vegas. Her TV credits include “Greek,” “Desperate Housewives,” and “The Tick.” She has been in numerous TV commercials, usually as some sort of uptight mother. She is currently in a masters program studying Spiritual Psychology. She is married to an amazing banjo player and she loves babies…and banjos…and babies who love banjos.

Dan is Co-founder of the critically acclaimed Impro Theatre as well as a co-founder of four other American Theatresports companies including Bay Area Theatresports. He performed in the Improbable Theatre’s production of “Lifegame” Off-Broadway and in the TNN television series of the same name. He co-created the NBC/PAX television improv comedy show “World Cup Comedy.” He was chosen from improvisers all over the country last summer to represent our gloriously spontaneous nation as one third of the American Team at the Improv World Cup Tournament in Germany.

Television acting credits include the upcoming pilot “Star and Stella,” “Seinfeld,” “Campus Ladies,” “Malcolm In the Middle,” “The Tonight Show,” and series regular roles on “The Newz,” and “Quick Witz” (for which he was also a producer).

Television directing credits include the critically acclaimed ABC hybrid sit-com “Sons and Daughters” and “Campus Ladies” for the Oxygen Network. He was a writer and the improv director for “The Wayne Brady Show.”

He was an adjunct professor for USC ‘s BFA program. He has taught at UT, DUKE, Pepperdine, UCLA extension and an improv companies around the world. He is a graduate of the Webber Douglas Academy of Dramatic Art in London and an executive board member of the International Theatresports Institute.

Forrest Brakeman, Ellen Idelson and Dan O’Connor founded Los Angeles Theatresports in 1988. All three hailed from San Francisco, but from very different backgrounds. Forrest Brakeman was a comedian and member of the long running “Faultline” improv and sketch comedy group, which included Greg Proops and Micheal McShane of “Whose Line Is It Anyway?” Ellen Idelson was an actor and part of the burgeoning guerilla theatre scene of San Francisco and a member of the acclaimed “Dude Theatre”. Dan O’Connor was a recent graduate of the Webber Douglas Academy of Dramatic Art in London and had also trained at the American Conservatory Theater.

In 1986 Dan was invited to take the first “Theatresports” workshop in San Francisco organized by Bay Area comedy group Fratelli Bologna and taught by Seattle Theatresports member Rebecca Stockley. Over two weekends the class was submerged in Theatresports and the work of Keith Johnstone. The culmination of the workshop was a sold-out performance at the New Performance Gallery and thus Bay Area Theatresports was born.

In 1988 Brakeman, Idelson and O’Connor found themselves in Los Angeles wanting to do something different. Idelson and O’Connor had just come from Bay Area Theatresports, although Idelson took the circuitous route of going to the American Repertory Theatre at Harvard first before finally deciding to come to back to her native Los Angeles, and Brakeman had just finished directing a number of LA improv groups.

On tour performing Theatresports in London, O’Connor met actor Jeffrey Weissman who was a member of an improv group that just so happened to be based in… Los Angeles. What’s more they too were looking for something new. Back in L.A phone calls were made to gather a number of other Southern Californian performers from various groups and invited to take the first class. Barbara Scott and Rafe Chase of BATS were brought down to teach the first weekend workshop which concluded with the first public performance of LA Theatresports at Theatre/Theater in Hollywood.

The small but mighty group began blending their knowledge of theater, improv and comedy, building on the work of Keith Johnstone and bringing their vastly different backgrounds and skills to shape LA Theatresports. They began teaching classes and workshops. Very quickly they began to draw a diverse group of students to this new type of training. They included…actors who needed to practice their craft between jobs, writers who needed to find new ways to unlock their imaginations and pitch their stories better, lawyers who wanted to be able to think quicker on their feet, and even two rocket scientists who just wanted to have fun.

Early on the company began experimenting with different forms and formats of Improvisation in addition to Theatresports. This was a way to challenge players to continue to take risks on stage and to try to constantly improve their skills. What developed was a focus on formats that told a story.

The company began exploring narrative in various styles and genres with Forrest Brakeman’s format called “Triple Play” in 1990. Triple Play was a play, a movie and a musical completely improvised. Each style done in three acts alternating with the other genres. Example: A Tennessee Williams play, a Spielberg movie, and a Sondheim musical.

Next they began creating full-length improvised plays: “Shakespeare Unscripted,” “Dickens Unscripted,” “Shakhov” (A Chekhov and Shakespeare 2 act play) and Musicals: “The Hell Show,” “Cattle Call,” and the longest “Carnal Peaks” (A “Soap” which once ran for 26 weekly episodes). As well as “Moral Kombat” an improv format about comedic redemption, the seven deadly sins, and audience suggestions.

In addition to Theatresports, they also performed other Keith Johnstone formats “Life Game,” “Micetro” and “Theme and Forfeit.”

To reflect their various form and formats they changed their name to Impro Theatre in 2003.

Tracy Burns is the former Artistic Director of Impro Theatre where she still teaches and performs. She has been teaching and performing improvisational comedy internationally for over 20 years.

She was one of the founding members of London Theatresports and was the Co-Artistic Director for Theatresports U.K. She helped introduce Theatresports to Germany and continues to teach there regularly. Tracy has taught for many schools and universities including, Pepperdine University (where she’s been directing the Pepperdine Improv Troupe for the last 7 years,) Middlesex Poly in London, and Cal State San Bernadino. She also currently teaches for Suspect Entertainment — a group of former gang members now working in film and television. In addition to Impro Theatre, Tracy performs with the all-female improv group, “Inflatable Betty” and with Wil Wheaton’s sketch/improv group, “The Earnest Borg9,” which plays to exuberant crowds at Star Trek conventions.

Tracy has written several one-woman shows including, “The Glass Slipper, Ain’t All It’s Cracked Up To Be,” which was produced at the HBO Workspace. Tracy can also be seen on the TV shows “World Cup Comedy,” “Judging Amy,” and “Desperate Housewives.”

Jo McGinley specializes in narrative improvisation, creating improvised stories in classical and popular genres. “Unscripted Plays & Films” is the product of over 13 years of research and exploration.

Jo performs and teaches improvisation internationally, performing improvised Tennessee Williams Plays both in Amsterdam and Paris. Her home base of improvisation is Impro Theatre, Los Angeles.

Jo joined the faculties of the American Conservatory Theatre in 1996, and Academy of Art College teaching actors and artists how to access their creativity and using improvisation as a tool to open up. She has taught at USC, Pepperdine University, University of San Francisco (School of Business), College of Marin and for hundreds of corporate clients (American Express, Method, Consumer’s Energy to name of few) using improvisation as a way to teach basic skills of listening, staying positive, supporting ideas, and connection. She most recently facilitated Focus Groups for The Hewlett Packard Foundation using improvisation as a way to inspire social change.

Theatre credits include “Dancing at Lughnasa,” “Jake’s Women,” “Laments for the Living,” and Television credits include “Boston Public,” “ER,” and “Close to Home.”

Currently the director of “Unscripted Plays & Films,” past directing credits include “Laments for the Living” bringing the inspired works of Dorothy Parker to the stage.

Jo is a member of SAG, AFTRA, and AEA.